|
|
Ravenna Festival 2010 -
7Jun-13Jul
ProgramMembership Sign Up
|
DATE
|
PERFORMANCE
|
TYPE
|
TIME
|
VENUE
|
|
Monday
07-06-2010
|
Prologo
Cercatori
di
tracce
riscrittura
da
Sofocle
regia
Marco
Martinelli,
Alessandro
Renda
spazio
luci
Vincent
Longuemare
con
la
partecipazione
dei
Fratelli
Mancuso
e
con
cinquanta
adolescenti
siciliani
e
tunisini
coproduzione
Ravenna
Festival,
“Circuito
del
Mito”
-
Assessorato
al
Turismo
della
Regione
Siciliana
in
collaborazione
con
Ravenna
Teatro
-
Teatro
delle
Albe,
Diocesi
di
Mazara
del
Vallo
left1Sophocles’
The
Bloodhounds
will be
the
final
merry
outcome
of the
workshop
Teatro
delle
Albe are
conducting
in
several
of the
world’s
“outskirts”:
Scampia,
the
black
neighbourhood
of
Chicago,
Senegal,
the
French
or
Belgian
banlieues.
As in
Scampia,
the
first
approach
with the
local
teenagers
– about
50
Tunisian
and
Sicilian
kids –
will be
on the
traces
of
ancient
Greek
drama,
with a
grotesque
and
“satiric”
comedy.
The
amazing
Dancing
Satyr
recovered
from the
sea
floor
off the
coast of
Mazara
del
Vallo
and now
visible
in the
local
Museum
will
provide
a useful
visual
suggestion
to
reinfuse
life
into
Sophocles’
sneering
and
melancholy
satyrs –
wild
creatures,
human
but
beastlike
semi-Gods
who will
come to
life
with the
energy,
tongues
and
imagination
of the
Mazara
youths.]]>
|
Special Events
|
21:30
|
Rocca
Brancaleone
|
|
|
|
Wednesday
09-06-2010
|
Orchestra
Mozart
direttore
Claudio
Abbado
Felix
Mendelssohn
Sinfonia
n. 4
in
la
maggiore
op.
90
“Italiana”
Sergej
Prokof’ev
Concerto
per
pianoforte
e
orchestra
n. 3
in
do
maggiore
op.
26
solista
Yuja
Wang
Wolfgang
Amadeus
Mozart
Sinfonia
n.
41
in
do
maggiore
K
551
“Jupiter”
left1If
Woody
Allen
was
right in
stating
that the
second
movement
of
Symphony
K 551 is
“one of
the
things
worth
living
for”,
Claudio
Abbado’s
choice
of the
“Jupiter”
is quite
apt to
celebrate
his
return
to
Ravenna
Festival
after so
many
years.
The
great
conductor,
who has
been
providing
a voice
to
future
musicians
for more
than
thirty
years,
founding
and
instructing
several
youth
orchestras,
will be
accompanied
by his
latest
creation,
the
Mozart
Orchestra,
born in
Bologna
in 2004.
The
programme
will
also
include
Mendelssohn’s
superb
Italian
Symphony
alongside
the most
popular
and
winning
of
Prokofiev’s
Concerts,
entrusted
to the
daring
technique
and
poetic
instinct
of a
young
Chinese
rising
star,
Yuja
Wang.www.orchestramozart.com]]>
|
Concerts
|
21:00
|
Palazzo Mauro de
André
|
|
|
|
Thursday
10-06-2010
|
Concerto
Trekking
A
piedi
dall’antico
porto
di
Augusto
alla
pineta
di
Classe
tra
musica,
storia
e
natura
con
la
partecipazione
di
Ambrogio
Sparagna
e
l’Orchestra
Popolare
Italiana
dell’Auditorium
Parco
della
Musica
di
Roma
con
il
patrocinio
di
Soprintendenza
per
i
Beni
Archeologici
dell’Emilia
Romagna,
Parco
del
Delta
del
Po,
RavennAntica
left1“Caminantes,
no hay
caminos.
Hay que
caminar”
(“Travellers,
there
are no
paths
but we
must
walk
on”),
reads an
old
inscription
on a
monastery
wall in
Toledo.
The
pilgrim’s
mystical
dimension
partially
re-lives
today in
a new
aesthetic
and
ecstatic
dimension
of
walking.
Thus,
waiting
for
Cloud
Gate
Dance
Theatre’s
Songs of
the
Wanderers,
Ravenna
Festival
and
Trail
Romagna
invite
all
trekkers
and
would-be
pilgrims
to take
the
road,
setting
out for
the
sunset
amongst
our
pine-trees
and
archaeologies,
with a
steady
pace and
open
ears and
mind,
walking
through
fields
and
clearings
on a
series
of short
stops
marked
by
musical
encounters.
A small
trek
along
the
songlines
of
Romagna,
in the
firm
belief
that
“errare
humanum
est”.www.trailromagna.eu]]>
|
Special Events
|
19:00
|
Parco
Archeologico di
Classe
|
|
|
|
Friday
11-06-2010
|
Voci
nella
preghiera
ideazione
e
regia
Cristina
Mazzavillani
Muti
introduce
Umberto
Galimberti
left1Praying
voices
comes
back
this
year as
a moment
of
meeting
and
listening
that
will
start
with the
meditation
of one
of the
leading
Italian
philosophers,
Umberto
Galimberti.
A
meeting
of the
three
great
religions
of the
Book –
Judaism,
Christianity
and
Islam –
in one
of the
most
emblematic
places
of an
ancient
but
still
possible
communion
between
East and
West,
the
Basilica
of San
Vitale.
A
meeting
of
different
people,
ethnic
groups
or
individuals,
who will
raise
their
praying
voices
to
invoke
God in
multiples
languages,
multiple
rites
and the
most
varied
forms of
religiosity.
A God
who
sometimes
seems to
deviate
from the
world
leaving
humans
with an
infinite
desire
for
protection,
comfort
and
reassurance:
desires
that are
human,
all too
human.]]>
|
Special Events
|
21:00
|
Giardini di San
Vitale
|
|
|
|
Saturday
12-06-2010
|
GÉRARD
DEPARDIEU
LEGGE
SANT'AGOSTINO
con
laReverdie
al
termine
della
serata
Gérard
Depardieu
riceverà
il
“Premio
Ravenna
Festival”
2010
left1The
intense
human
adventure
and the
deep
spiritual
meditation
the
Saint
from
Tagaste
committed
to his
Confessions
are
brought
to life
by the
voice of
Gerard
Depardieu
to the
music of
laReverdie.
The
French
actor’s
encounter
with the
Confessions
generated
his
desire
of going
into
churches,
cathedrals
and
universities
and read
excerpts
from the
beloved
book.
Fascinated
by St.
Augustine’s
vitality,
Depardieu
will
lead the
meditation
to the
spiritual
richness
gushing
from the
author’s
vicissitudes:
his
conversion
from
doubt,
his
hunger
for
knowledge.
LaReverdie
will
explore
and
underline
the
meanings
of the
text
with
their
musical
research,
combining
Ambrosian
Hymns
and
improvisation.www.lareverdie.com]]>
|
Concerts
|
21:00
|
Sant'Apollinare
in Classe
|
|
Saturday
12-06-2010
|
Tra
Sponde
un
ponte
musicale
tra
i
Balcani
e
l’Italia
La
Kocani
Orkestar
incontra
la
Banda
Municipale
Balcanica,
Puglia
guest
Roberto
Ottaviano
sax
left1To
cast
away
gloom
and make
sure
that
night
finally
gives
way to
daylight,
darkness
needs to
be
exorcised
by a
very
special
and
explosive
connection:
Macedonian
Kocani
Orkestar
meets
Apulian
Banda
Municipale
Balcanica.
One of
the
leading
East
European
brass
bands
fraternizes
with the
young
but
already
well-known
local
band in
a brand
new
project
where
each
ensemble
rearranges
and
interprets
the
other
band’s
music,
in a
vortex
of
different
cues and
genres.
From
Balkan
weddings
and
funerals
tunes to
the folk
music
and
village
band
traditions
of
Southern
Italy,
from
jazz
improvisation
to the
rhythms
of
Macedonian
dervishes.
And
another
star
will
help
them
officiate
the
rite:
great
saxophonist
Roberto
Ottaviano.]]>
|
Special Events
|
21:30
|
Palazzo San
Giacomo (Russi)
|
|
|
|
Sunday
13-06-2010
|
La notte
della
Chiesa
una
liturgia
al
tempo
del
Grande
Scisma
d’Occidente
dal
codice
16
bis
della
Cathédral
Sainte-Anne
d’Apt
laReverdie
ensemble
di
musica
medioevale
left1If
our
title,
Ex
tenebris
ad lucem,
is
loaded
with
references
to the
liturgy
and the
ideas of
light as
a symbol
for
Christ
and
darkness
as a
symbol
for Evil
or the
world
without
Christ,
our path
intends
to
retrace
the
terms of
this
conflict
within
the
double
frame of
history
and
contemporaneity.
In the
dark
ages of
Popes
and
Antipopes,
the
light of
faith
has
never
ceased
to shine
in the
beautiful
Mass of
the code
of
Sainte-Anne
d’Apt.
The
great
creative
turmoil
of
Palestrina
and
Counter-Reformation
polyphonists
is the
expression
of a
recovered
light.
Two
events
will
celebrate
Light
coming
to the
world
through
its
intermediary,
Mary.
And
finally,
Orlando
di
Lasso’s
Missa
pro
defunctis
will
bring
relief
to the
victims
of
recent
earthquakes:
l’Aquila,
Haiti
and
Chile.]]>
|
Sunday Liturgies
|
10:30
|
Basilica di San
Vitale
|
|
Sunday
13-06-2010
|
Ex
tenebris
ad lucem
Luce
e
Tenebre
nella
musica
medievale
fra
l’XI
e il
XIV
secolo
laReverdie
musiche
di
Tommaso
da
Celano,
Perotinus
Magnus,
Wipo
von
Burgund,
Hildegard
von
Bingen,
Guillame
Du
Fay
e
altri
autori
left1“The
contrast
between
[…]
darkness
and
light,
like
that
between
summer
and
winter,
was more
strongly
marked
than it
is in
our
lives”,
wrote
Johan
Huizinga
in The
Waning
of the
Middle
Ages:
day and
night,
light
and
darkness
marked
the
difference
between
good and
evil,
life and
death,
soul and
body.
Affliction,
distress
and
downfall
match
darkness
in the
Dies
irae by
Thomas
of
Celano,
while
the sun
and
stars
dress
and
crown
Mary in
Guillaume
Du Fay’s
setting
of
Petrarch’s
Vergine
bella.
Our
musical
journey
will
stretch
between
these
extremes,
the xi
and the
xv
centuries,
and then
leap
forward
to the
present
with
three
compositions
by Doron
Sherwin
and
Elisabetta
de
Mircovich,
long-time
members
of
laReverdie,
a
reference
ensemble
for
medieval
music
for more
than 20
years.www.lareverdie.com]]>
|
Concerts
|
21:00
|
Basilica di San
Vitale
|
|
Sunday
13-06-2010
|
La notte
del
tango
con
Javier
Girotto
&
Aires
Tango
Javier
Girotto
sax,
flauti
andini
Alessandro
Gwis
pianoforte
Michele
Rabbia
percussioni
Marco
Siniscalco
basso
Grande
Orchestra
di
Tango
di
Juan
José
Mosalini
Juan José Mosalini bandonéon
Diego
Aubia
pianoforte
Jean
Baptiste
Henry
bandonéon
Marisa
Marcade
bandonéon
Mauricio
Angarita
contrabbasso
Marie
Claude
Douvrin
violoncello
Sebastien
Couranjou
violino
Juliette
Wittendal
violino
Anne
Le
Pape
violino
Cecile
Boursier
violino
Silvestre
Verger
viola
Sandra
Rumolino
voce
Jorge
Rodriguez,
Maria
Filali
Favqui
ballerini
left1The
courtyard
of
xvii-century
Palazzo
San
Giacomo
will be
the
stage
for The
Night of
Tango,
with
Juan
José
Mosalini’s
Grand
Tango
Orchestra
and
Javier
Girotto’s
Aires
Tango.
Two
different
ways of
approaching
tango
(“a sad
thought
to be
danced”,
as
Enrique
Santos
Discépolo
beautifully
defined
it):
from the
bandonéon
of the
most
versatile
ambassador
of
Argentinian
original
and
modern
tango,
Mosalini,
to the
saxophone
of
Girotto,
who,
with his
Aires
Tango,
blends
this
sensual
dance
with
jazz.
But
there is
no tango
without
dancers:
and thus
this
endless
night
will
create a
dance
floor
between
the
ancient
façade
and the
river
bank,
and turn
the
bandonéon
sound
into
gesture.www.juanjosemosalini.com]]>
|
Special Events
|
21:30
|
Palazzo San
Giacomo (Russi)
|
|
Sunday
13-06-2010
|
Stockhausen
Nacht
Karlheinz
Stockhausen
Cosmic
Pulses
(2007)
e
Spiral
(1968)
Giovanni
Nardi
sassofoni
Francesco
Canavese
live
electronics
Nicola
Torpei
sistemi
interattivi
Francesco
Giomi,
Damiano
Meacci
regia
del
suono
Zodiaco
elettrico:
gli
Aidoru
eseguono
Tierkreis
Dario
Giovannini
chitarra
Michele
Bertoni
chitarra,
basso,
batteria
Mirko
Abbondanza
basso
Diego
Sapignoli
batteria,
percussione,
campionamento,
glockenspiel,
melodica,
tastiera
left1The
first
Electronic
Nocturne
conceived
by Tempo
Reale,
the
centre
for
research,
production
and
educational
activities
in the
field of
new
musical
technologies
Berio
founded
in
Florence
in 1987,
is
dedicated
to
Stockhausen,
the
father
of
electronic
music
who died
in 2007.
The
programme
features
his last
masterpiece,
Cosmic
pulses,
the
“13th
hour”
from
Klang, a
cycle
dedicated
to the
24 hours
of the
day: it
is an
oneiric
trip
into the
German
composer’s
most
recent
electronics,
to be
performed
in pitch
darkness.
It will
be
counterbalanced
by
Spiral,
composed
for the
Osaka
Expo
(1968).
Aidoru
will
close
the
programme
with a
very
personal
performance
of
Tierkreis,
a cycle
of 12
mystical
and
esoteric
melodies,
each
representing
one sign
of the
Zodiac.]]>
|
Concerts
|
23:00
|
Artificerie
Almagià
|
|
|
|
Tuesday
15-06-2010
|
Bill T.
Jones-Arnie
Zane
Dance
Company
Serenade/The
Proposition
coreografia
Bill
T.
Jones
con
Janet
Wong
e i
membri
della
compagnia
scene
Bjorn
Amelan
luci
Robert
Wierzel
video
Janet
Wong
suono
Sam
Crawford
costumi
Anjia
Jalac
e la
compagnia
musica
originale
composta,
arrangiata
ed
eseguita
da
Jerome
Begin,
Lisa
Komara
e
Christopher
Antonio
William
Lancaster
musica
e
testi
ulteriori
W.A.
Mozart,
Julia
Ward
Howe,
William
Walker,
Alexander
Means,
Abraham
Lincoln
e
musica
folk
tradizionale
americana
testo
originale
Bill
T.
Jones
un
ringraziamento
speciale
a
Liz
Prince
Si
ringrazia
il
Consolato
Generale
degli
Stati
Uniti
d’America
a
Firenze.
left1A
white
stage on
a black
background
and
imposing
columns
–
“Serenade/The
Proposition”
is a
successful
amalgam
of
distinct
bits of
dance
movement,
original
music,
familiar
strains,
video
projections
and text
from
memoirs
and
Abraham
Lincoln’s
speeches,
the
first
work in
a
trilogy
dedicated
to the
great
President.
Dancer
and
choreographer
Bill T.
Jones
started
working
on
Lincoln
in 2008
to
explore
the
moral,
social
and
political
issues
of past
and
present
America.
With his
multiracial
company,
founded
in
Harlem
in 1982
with
Arnie
Zane,
the
Afro-American
dancer
has
confronted
such
bold
subjects
as Aids,
Bush’s
Iraq
war, the
aftermath
of 9.11.
Today,
the
10-member
company
is
recognized
as one
of the
most
innovative
and
powerful
forces
in the
modern
dance
world.]]>
|
Drama & Ballet
|
21:00
|
Palazzo Mauro de
André
|
|
Tuesday
15-06-2010
|
Omaggio
a
Mauricio
Kagel
progettazione
e
drammaturgia
Jonathan
Faralli,
Francesco
Giomi
esecutori
Monica
Benvenuti,
Francesco
Canavese,
Jonathan
Faralli,
Francesco
Giomi
regia
del
suono
Damiano
Meacci
Mauricio
Kagel
Acustica
(1968-70),
per
produttori
di
suono
sperimentali
e
altoparlanti
left1This
Electronic
Nocturne
is
dedicated
to
Mauricio
Kagel,
the
great
Argentinian
composer
who died
in 2008,
and to
one of
his
masterpieces,
Acustica
– for
experimental
sound-producers
and
loud-speakers,
which
superbly
represents
Kagel’s
entire
universe.
The
opera
literally
plays on
music,
theatre,
improvisation
and
experimentation,
in a
research
for a
new
relationship
between
the
composer,
the
performer
and the
new
technologies.
The
performance
space is
crowded
with
objects,
toys,
unconventional
instruments
and
performing
actions
producing
an
original
and
playful
narrative.
Tempo
Reale
have
devised
a
special
staging
of
Acustica
for
Artificierie
Almagià,
with the
collaboration
of such
important
interpreters
as
Monica
Benvenuti,
Francesco
Canavese
and
Jonathan
Faralli.]]>
|
Concerts
|
23:00
|
Artificerie
Almagià
|
|
|
|
Wednesday
16-06-2010
|
Ad
Vesperas
/ Leçons
Des
Ténèbres
Ad
Vesperas
Vespri
solenni
nella
Napoli
spagnola
antifone,
salmi
e
mottetti
di
Diego
Ortiz
Leçons
Des
Ténèbres
di
François
Couperin
Cantar
Lontano
Lia
Serafini
soprano
Alessandro
Carmignani
controtenore
Fabio
Furnari
tenore
Mauro
Borgioni
baritono
Marco
Scavazza
baritono
Walter
Testolin
basso
Pamela
Lucciarini
soprano
Elena
Biscuola
alto
Enea
Sorini
tenore
Davide
Benetti
basso
Cristiano
Contadin
viola
d’arco
Mauro
Borgioni
cantore
gregoriano
direttore
Marco
Mencoboni
left1As
with the
panels
of a
precious
diptych,
independent
but
connected
into one
structure,
Ravenna
Festival
offers a
double
concert
– two
jewels
of
sacred
music to
be
performed
in the
basilicas
of San
Vitale
and
Santa
Maria
Maggiore:
the
voluptuous
and
ethereal
atmosphere
of Diego
Ortiz’s
Marian
pieces,
Musices
Liber
Primus,
published
in 1565,
a mere
two
years
after
the
Council
of Trent
had
prescribed
utmost
sobriety
in
liturgy,
and the
Leçons
des
ténebrès,
based on
the
Lamentations
of
Jeremiah
and set
to music
by
François
Couperin
in the
Abbey of
Longchamp,
near
Paris,
for Ash
Wednesday
1714.
These
will be
re-proposed
as they
used to
be, by
the sole
light of
candles
to be
progressively
extinguished:
only the
highest
one will
remain,
symbolising
Christ.]]>
|
Concerts
|
21:00
|
Basilica di San
Vitale
|
|
|
|
Thursday
17-06-2010
|
Tenebrae
factae
sunt
Odhecaton
direttore
Paolo
Da
Col
musiche
di
Gesualdo
da
Venosa,
Giovanni
Pierluigi
da
Palestrina,
Arvo
Pärt,
Wolfgang
Rihm,
Salvatore
Sciarrino
left1The
new and
the old,
and a
singular
mix of
heterogeneous
styles
are the
distinctive
trait of
this
concert
by
Odhecaton,
directed
by Paolo
Da Col,
an
ensemble
specialising
in the
performance
of
Renaissance
music,
internationally
appreciated
for the
elegance
and
grandeur
of their
sound.
Besides
Gesualdo’s
Tenebrae
responsories
for Holy
Saturday
(1611),
a
prominent
example
of the
composer’s
intricate
polyphonies,
they
will
propose
Palestrina’s
severe
and
essential
counterpoint
alongside
Arvo
Pärt’s
hieratic,
archaic
contemporary
sounds,
Wolfgang
Rihm’s
(b.
1952)
stylistic
eclecticism
and
Salvatore
Sciarrino’s
recent
Responsorio
delle
tenebre
(2001),
alternating
contemporary
sounds
and
Gregorian
chant.]]>
|
Concerts
|
21:00
|
Basilica di San
Vitale
|
|
Thursday
17-06-2010
|
The
Table of
Earth
David
Moss
& TR
voce
e
tavolo
sensibile
David
Moss
progetto
sonoro
e
sistemi
interattivi
Damiano
Meacci
regia
del
suono
Francesco
Canavese
e
Francesco
Giomi
David
Moss
The
Table
of
Earth
(2010)
una
produzione
Fabbrica
Europa
-
Tempo
Reale
left1The
third
and last
Electronic
Nocturne,
The
Table of
Earth,
is a new
original
production
where
the
performing
versatility
of David
Moss—one
of the
most
innovative
vocalists
and
percussionists
of our
times—confronts
the
research
of Tempo
Reale in
the
fields
of
interactivity,
microphone
amplification
techniques
and
sound
processing.
The
project
centres
on a
large
working
table, a
real
‘microcosm’
where
objects,
instruments,
sensors
and
microphones
are
placed,
through
which an
imaginary
“sound
story”
will
take
place in
an
uninterrupted
discovery
of
unprecedented
musical
paths,
enjoyable
and
fascinating.
A
guiding
thread
will be
provided
by a
captivating
theme:
ecology
and the
recycling
of
physical
and
sonorous
waste.]]>
|
Concerts
|
23:00
|
Artificerie
Almagià
|
|
|
|
Friday
18-06-2010
|
Tenebræ
cantata
video-scenica
per
voci
su
nastro,
ensemble
di
14
esecutori
e
live
electronics
su
testi
di
Massimo
Cacciari
musica
di
Adriano
Guarnieri
(Edizioni
RaiTrade)
Pietro
Borgonovo
direttore
Cristina
Mazzavillani
Muti
regia
Alda
Caiello
soprano
Sonia
Visentin
soprano
Antonio
Giovannini
controtenore
Elena
Bucci
voce
recitante
Catherine
Pantigny
danzatrice
Ezio
Antonelli
scenografie
virtuali
Luigi
Ceccarelli
regia
del
suono
Patrizio
Maggi
luci
Ensemble
strumentale
del
Teatro
dell’Opera
di
Roma
e le
voci
registrate
del
Coro
Speculum
Ensemble
coproduzione
Ravenna
Festival,
Teatro
dell’Opera
di
Roma
Prima
rappresentazione
assoluta
left1After
the
apocalyptic
Pietra
di
diaspro,
a
cornerstone
of the
2007
edition
of the
Festival,
Adriano
Guarnieri
and
Cristina
Mazzavillani
Muti
join
forces
once
again
with
Tenebræ,
moving
from
Caravaggio’s
paintings
and
Gesualdo’s
Responsoria
to
create a
new
world of
sound
out of
selected
excerpts
from the
works of
Massimo
Cacciari,
Nietzsche,
Heidegger
and
Trakl.
The
visionary
nature
of
Tenebræ
– which
takes
the
shape of
an
unprecedented
and
compelling
video-oratorio
–
transpires
both
from the
powerfully
enveloping
sound
generated
by Live
Electronics
and
digital
sound
spatialisation,
and from
the
polymorphous,
giddy,
ever-changing
visual
space
created
through
cutting-edge
image
processing
techniques. venerdì
18
giugno -
Teatro
Alighieri
ore
19.00
“Ex
Tenebris
ad Lucem”
conversazione
conMassimo
Cacciariingresso
libero]]>
|
Opera
|
21:00
|
Teatro Alighieri
|
|
|
|
Saturday
19-06-2010
|
Tenebræ
cantata
video-scenica
per
voci
su
nastro,
ensemble
di
14
esecutori
e
live
electronics
su
testi
di
Massimo
Cacciari
musica
di
Adriano
Guarnieri
(Edizioni
RaiTrade)
Pietro
Borgonovo
direttore
Cristina
Mazzavillani
Muti
regia
Alda
Caiello
soprano
Sonia
Visentin
soprano
Antonio
Giovannini
controtenore
Elena
Bucci
voce
recitante
Catherine
Pantigny
danzatrice
Ezio
Antonelli
scenografie
virtuali
Luigi
Ceccarelli
regia
del
suono
Patrizio
Maggi
luci
Ensemble
strumentale
del
Teatro
dell’Opera
di
Roma
e le
voci
registrate
del
Coro
Speculum
Ensemble
coproduzione
Ravenna
Festival,
Teatro
dell’Opera
di
Roma
Prima
rappresentazione
assoluta
left1After
the
apocalyptic
Pietra
di
diaspro,
a
cornerstone
of the
2007
edition
of the
Festival,
Adriano
Guarnieri
and
Cristina
Mazzavillani
Muti
join
forces
once
again
with
Tenebræ,
moving
from
Caravaggio’s
paintings
and
Gesualdo’s
Responsoria
to
create a
new
world of
sound
out of
selected
excerpts
from the
works of
Massimo
Cacciari,
Nietzsche,
Heidegger
and
Trakl.
The
visionary
nature
of
Tenebræ
– which
takes
the
shape of
an
unprecedented
and
compelling
video-oratorio
–
transpires
both
from the
powerfully
enveloping
sound
generated
by Live
Electronics
and
digital
sound
spatialisation,
and from
the
polymorphous,
giddy,
ever-changing
visual
space
created
through
cutting-edge
image
processing
techniques. venerdì
18
giugno -
Teatro
Alighieri
ore
19.00
“Ex
Tenebris
ad Lucem”
conversazione
conMassimo
Cacciariingresso
libero]]>
|
Opera
|
21:00
|
Teatro Alighieri
|
|
Saturday
19-06-2010
|
Inni del
Venerdì
Santo e
Ufficio
delle
Tenebre
La
Stagione
Armonica
soli
Francesca
Cassinari
soprano
Lucia
Napoli
contralto
Baltazar
Zuniga
tenore
Davide
Benetti
basso
Olivia
Centurioni,
Claudia
Combs
violini
Marco
Ceccato
violoncello
Riccardo
Coelati
violone
Pietro
Prosser
tiorba
Vittorio
Zanon
organo
direttore
Sergio
Balestracci
left1In
preconciliar
liturgy
the
nightly
office
for the
Sacred
Triduum
prescribed
that
fifteen
candles
should
be
lighted
in a
triangular-shaped
candlestick
only to
be put
out one
by one
until
the
church
plunged
into
darkness,
a
darkness
resembling
mankind’s
condition
after
killing
the Son
of God.
Hence
the name
– “the
office
of
darkness”.
Alessandro
Scarlatti
honoured
this
tradition,
and to
celebrate
his
350th
anniversary,
Sergio
Balestracci
and La
Stagione
Armonica
will
perform
his
Hymns
for Good
Friday
and the
Office
of
Darkness,
probably
composed
in Rome
in 1708
and
included
in the
manuscript
“Music
for Holy
Week”
preserved
in the
Philharmonic
Academy
of
Bologna.]]>
|
Concerts
|
21:00
|
Basilica di San
Vitale
|
|
|
|
Sunday
20-06-2010
|
L'alba
di una
nuova
liturgia
la
Messa
dopo
la
Controriforma
musiche
di
Thomas
Luis
De
Victoria,
Claudio
Monteverdi,
Francesco
Bianciardi,
Alessandro
Salvolini,
Leonardo
Morelli
La
Stagione
Armonica
direttore
Sergio
Balestracci
left1If
our
title,
Ex
tenebris
ad lucem,
is
loaded
with
references
to the
liturgy
and the
ideas of
light as
a symbol
for
Christ
and
darkness
as a
symbol
for Evil
or the
world
without
Christ,
our path
intends
to
retrace
the
terms of
this
conflict
within
the
double
frame of
history
and
contemporaneity.
In the
dark
ages of
Popes
and
Antipopes,
the
light of
faith
has
never
ceased
to shine
in the
beautiful
Mass of
the code
of
Sainte-Anne
d’Apt.
The
great
creative
turmoil
of
Palestrina
and
Counter-Reformation
polyphonists
is the
expression
of a
recovered
light.
Two
events
will
celebrate
Light
coming
to the
world
through
its
intermediary,
Mary.
And
finally,
Orlando
di
Lasso’s
Missa
pro
defunctis
will
bring
relief
to the
victims
of
recent
earthquakes:
l’Aquila,
Haiti
and
Chile.]]>
|
Sunday Liturgies
|
11:00
|
Sant'Apollinare
Nuovo
|
|
Sunday
20-06-2010
|
Royal
Philharmonic
Orchestra
direttore
Charles
Dutoit
Nikolaj
Rimskij-Korsakov
Shéhérazade
Suite
sinfonica
op.
35
Igor’
Stravinskij
L’oiseau
de
feu
left1The
magic of
an
orchestra
and
fairy-tale
evocation;
the
gestural
expressiveness
of sound
and an
oriental
narrating
spell:
the
fabulous
visions
from One
Thousand
and One
Nights
in
Rimsky-Korsakov’s
Shéhérazade
form a
direct
link to
the
spontaneity
and
incomparable
originality
of
Stravinsky’s
L’oiseau
de feu,
which
charmed
the
Parisian
audience
twenty
years
later.
It was
the
Russian
spirit
of St.
Petersburg’s
musical
outskirts
breaking
into the
heart of
modern
Europe.
This is
now one
of
Charles
Dutoit’s
favourite
grounds.
After a
degree
in
Maths,
Dutoit’s
dazzling
career
brought
him
under
the
auspices
of
Karajan,
led him
to
Montreal
for more
than
twenty
years,
then to
Philadelphia,
Tokyo,
Paris
and now
to the
rostrum
of one
of the
leading
British
orchestras,
the
Royal
Philharmonic.]]>
|
Concerts
|
21:00
|
Palazzo Mauro de
André
|
|
|
|
Monday
21-06-2010
|
Schwab
drammaturgia
Lucia
Calamaro
regia
di
Maurizio
Lupinelli
Juha
Marsalo
ballerino
e
coreografo
attori
Elisa
Pol,
Linda
Siano,
Federica
Rinaldi,
Martina
Ciani,
Maurizio
Lupinelli,
Cesare
Tedesco
scenografia
a
cura
di
Armunia
Festival
costumi
Maria
Chiara
Grotto
luci
Filippo
Trambusti
Produzione
Armunia
Festival
costa
degli
Etruschi
di
Castiglioncello,
Regione
Toscana,
3
bis
f
d’Aix
en
Provence
con
la
collaborazione
di
Arboreto
di
Mondaino,
Olinda
Teatro
La
Cucina,
ex
Ospedale
Psichiatrico
Paolo
Pini
di
Milano,
La
Rose
des
Vents
di
Lille
e le
compagnie
Nerval
Teatro
e
Juha
Marsalo
anteprima
nazionale
left1Austrian
playwright
Werner
Schwab
died on
New
Year’s
Day
1994, at
the age
of 35,
of an
alcohol
overdose.
Difficult,
desecrating,
ferocious.
His
plays
resemble
him –
this is
what we
think
when we
see
them.
They are
imbued
with
cynicism
and
disillusionment,
and
leave no
space
for hope
to the
world
they
portray,
the
world of
the
deepest
and most
conservative
province,
mean and
miserable
in its
pretence
of being
respectable
and
middleclass.
Schwab
started
from
crude
reality
and
allowed
no
intercession,
from the
monsters
we all
carry
within
to the
anthropophagous
violence
always
on the
point of
bursting
out.
This is
the
world
Maurizio
Lupinelli
portrays
in his
homage
to
Schwab
performed
by
Nerval
Teatro,
a
company
starring
actors
with
different
abilities.]]>
|
Drama & Ballet
|
21:00
|
Teatro Rasi
|
|
Monday
21-06-2010
|
Vespro
della
Beata
Vergine
Melodi
Cantores
Ensemble
Harmonicus
Concentus
Elena
Bertuzzi
soprano
soli
Jenny
Ballarini,
Sara
Bino,
Elena
Bassi
soprani
Aurelio
Schiavoni,
Roberta
Guidi
contralti
Gianluca
Zoccatelli,
Matteo
Zenatti
tenori
Andrea
Mastroni,
Decio
Biavati
bassi
Mirko
Maltoni
organo
Francesca
Bacchetta
clavicembalo
direttore
Elena
Sartori
left1In
November
1732 a
violent
earthquake
shook
Naples,
and
Pergolesi
was
called
to
implore
divine
mercy:
his
famous
Saint
Emidius
Mass and
several
psalms
and
antiphonies
were
performed
in the
small
church
of S.
Maria
della
Stella.
On this
occasion
Dixit
Dominus,
Confitebor
tibi and
Salve
regina
were
also
composed
as parts
of some
hypothetical
vespers.
But
mystery
still
enshrouds
Pergolesi’s
“case”:
undisputedly
great in
his own
times
for his
transparent
and
immediate
music,
the
composer
prematurely
died
inspiring
a train
of
followers
and
imitators
who soon
made him
an idol
and left
a
multitude
of
forgeries
on which
musicologists
still
debate,
leaving
ample
space
for bold
interpretation.]]>
|
Concerts
|
21:00
|
Sant'Apollinare
Nuovo
|
|
|
|
Tuesday
22-06-2010
|
Evita
libretto
Tim
Rice
musica
Andrew
Lloyd
Webber
regia
Bob
Tomson
e
Bill
Kenwright
scene
Matthew
Wright
coreografie
Bill
Deamer
light
designer
Mark
Howett
sound
designer
Ben
Harrison
orchestrazione
David
Cullen
arrangiamenti
e
direzione
musicale
David
Steadman
Eva
Abigail
Jaye
Che
Mark
Powell
Peron
Mark
Heenehan
Mistress
Abigail
Matthews
left1Evita
undoubtedly
represents
one of
the
milestones
in the
history
of
musical
theatre,
and will
be
performed
in its
original
London
West End
version.
Evita –
one of
the
masterpieces
of Sir
Andrew
Lloyd
Webber,
the
author
of Jesus
Christ
Superstar,
The
Phantom
of the
Opera
and Cats
–
concentrates
on the
exciting
and
irresistible
career
of Maria
Eva
Duarte
de Perón
– the
charismatic
Argentinian
first-lady
whose
vicissitudes
moved
the
hearts
and
imagination
of the
world in
the
aftermath
of World
War II.
From her
humble
origins
to her
rise to
power as
Juan
Domingo
Perón’s
wife,
till her
untimely
death,
the
musical
portrays
both the
veneration
of her
people
and the
ironical,
disillusioned
point of
view of
an
exceptional
observer
and
narrator:
Ernesto
Guevara
de la
Serna,
better
known as
Che
Guevara.www.kenwright.com]]>
|
Special Events
|
21:00
|
Pala Credito di
Romagna, Forlì
|
|
|
|
Wednesday
23-06-2010
|
Evita
libretto
Tim
Rice
musica
Andrew
Lloyd
Webber
regia
Bob
Tomson
e
Bill
Kenwright
scene
Matthew
Wright
coreografie
Bill
Deamer
light
designer
Mark
Howett
sound
designer
Ben
Harrison
orchestrazione
David
Cullen
arrangiamenti
e
direzione
musicale
David
Steadman
Eva
Abigail
Jaye
Che
Mark
Powell
Peron
Mark
Heenehan
Mistress
Abigail
Matthews
left1Evita
undoubtedly
represents
one of
the
milestones
in the
history
of
musical
theatre,
and will
be
performed
in its
original
London
West End
version.
Evita –
one of
the
masterpieces
of Sir
Andrew
Lloyd
Webber,
the
author
of Jesus
Christ
Superstar,
The
Phantom
of the
Opera
and Cats
–
concentrates
on the
exciting
and
irresistible
career
of Maria
Eva
Duarte
de Perón
– the
charismatic
Argentinian
first-lady
whose
vicissitudes
moved
the
hearts
and
imagination
of the
world in
the
aftermath
of World
War II.
From her
humble
origins
to her
rise to
power as
Juan
Domingo
Perón’s
wife,
till her
untimely
death,
the
musical
portrays
both the
veneration
of her
people
and the
ironical,
disillusioned
point of
view of
an
exceptional
observer
and
narrator:
Ernesto
Guevara
de la
Serna,
better
known as
Che
Guevara.www.kenwright.com]]>
|
Special Events
|
21:00
|
Pala Credito di
Romagna, Forlì
|
|
Wednesday
23-06-2010
|
Fennesz
+
Lillevan
left1Though
hidden
under
layers
of
electronic
throbs
and
digital
alchemy,
a
performance
by
Fennesz
is an
ancestral
rite, an
almost
metaphysical
process
in which
Music,
or maybe
the
essence
of
Music,
reaches
the
darkest
corners
of our
perception.
After
his
start as
a
punk-rock
guitarist,
Austrian
Christian
Fennesz
became a
key
figure
of
glitch-influenced
electronic
music,
admired
by
Ryuichi
Sakamoto
and
David
Sylvian
for the
dreamlike
quality
of his
experimental
sound.
His
collaboration
with
German
video-artist
Lillevan
will be
a
keystone,
a fusion
of
moving
images
to the
sound of
music, a
contamination
of
different
languages
that
sets the
necessary
course
of world
electronic
avant-garde.]]>
|
Concerts
|
21:30
|
Rocca
Brancaleone
|
|
|
|
Thursday
24-06-2010
|
Evita
libretto
Tim
Rice
musica
Andrew
Lloyd
Webber
regia
Bob
Tomson
e
Bill
Kenwright
scene
Matthew
Wright
coreografie
Bill
Deamer
light
designer
Mark
Howett
sound
designer
Ben
Harrison
orchestrazione
David
Cullen
arrangiamenti
e
direzione
musicale
David
Steadman
Eva
Abigail
Jaye
Che
Mark
Powell
Peron
Mark
Heenehan
Mistress
Abigail
Matthews
left1Evita
undoubtedly
represents
one of
the
milestones
in the
history
of
musical
theatre,
and will
be
performed
in its
original
London
West End
version.
Evita –
one of
the
masterpieces
of Sir
Andrew
Lloyd
Webber,
the
author
of Jesus
Christ
Superstar,
The
Phantom
of the
Opera
and Cats
–
concentrates
on the
exciting
and
irresistible
career
of Maria
Eva
Duarte
de Perón
– the
charismatic
Argentinian
first-lady
whose
vicissitudes
moved
the
hearts
and
imagination
of the
world in
the
aftermath
of World
War II.
From her
humble
origins
to her
rise to
power as
Juan
Domingo
Perón’s
wife,
till her
untimely
death,
the
musical
portrays
both the
veneration
of her
people
and the
ironical,
disillusioned
point of
view of
an
exceptional
observer
and
narrator:
Ernesto
Guevara
de la
Serna,
better
known as
Che
Guevara.www.kenwright.com]]>
|
Special Events
|
21:00
|
Pala Credito di
Romagna, Forlì
|
|
Thursday
24-06-2010
|
Claire-Obscure
nuova
creazione
di
Micha
van
Hoecke
musiche
di
Arnold
Schönberg,
Franz
Schubert/Gustav
Mahler
Orchestra
Giovanile
Luigi
Cherubini
direttore
Hans-Jörg
Schellenberger
produzione
di
Ravenna
Festival
left1Claire-Obscure:
light
and
gloom,
sound
and
silence,
life and
death...
These
are the
extremes
of a
single
phrasing,
a single
breathing:
everything
exists
in the
space
that
separates
them;
everything
is
consumed
in that
very
space,
where,
once
again,
Micha
van
Hoecke
finds
the germ
of his
invention,
breathing
life
into a
new
creation
that
feeds on
the
suggestion
of
contraries.
He
plunges
into the
depths
of the
music of
Schubert,
Der Tod
und
Maiden
(orchestrated
by
Mahler)
and of
Schönberg,
Verklärte
Nacht.
These
two
works
encompass
the
extremes,
the
beginning
and the
end of
one
emotional
atmosphere,
the
expressive
urge
that
infuses
Romanticism,
from
Schubert’s
fresh
melancholy
to the
worn-out
solitude
of a
crepuscular
world.]]>
|
Drama & Ballet
|
21:00
|
Teatro Alighieri
|
|
|
|
Friday
25-06-2010
|
Evita
libretto
Tim
Rice
musica
Andrew
Lloyd
Webber
regia
Bob
Tomson
e
Bill
Kenwright
scene
Matthew
Wright
coreografie
Bill
Deamer
light
designer
Mark
Howett
sound
designer
Ben
Harrison
orchestrazione
David
Cullen
arrangiamenti
e
direzione
musicale
David
Steadman
Eva
Abigail
Jaye
Che
Mark
Powell
Peron
Mark
Heenehan
Mistress
Abigail
Matthews
left1Evita
undoubtedly
represents
one of
the
milestones
in the
history
of
musical
theatre,
and will
be
performed
in its
original
London
West End
version.
Evita –
one of
the
masterpieces
of Sir
Andrew
Lloyd
Webber,
the
author
of Jesus
Christ
Superstar,
The
Phantom
of the
Opera
and Cats
–
concentrates
on the
exciting
and
irresistible
career
of Maria
Eva
Duarte
de Perón
– the
charismatic
Argentinian
first-lady
whose
vicissitudes
moved
the
hearts
and
imagination
of the
world in
the
aftermath
of World
War II.
From her
humble
origins
to her
rise to
power as
Juan
Domingo
Perón’s
wife,
till her
untimely
death,
the
musical
portrays
both the
veneration
of her
people
and the
ironical,
disillusioned
point of
view of
an
exceptional
observer
and
narrator:
Ernesto
Guevara
de la
Serna,
better
known as
Che
Guevara.www.kenwright.com]]>
|
Special Events
|
21:00
|
Pala Credito di
Romagna, Forlì
|
|
|
|
Saturday
26-06-2010
|
I demòni
dal
romanzo
di
Fëdor
Michajlovicˇ
Dostoevskij
adattamento
e
regia
di
Peter
Stein
produzione
Tieffeteatro
Teatro
Milano
e
Wallenstein
Betriebs-GmbH
Berlino
in
collaborazione
con
Napoli
Teatro
Festival
left111
a.m to
11 p.m.
Nine
full
hours of
play
which
will
become
12 with
a couple
of meal
breaks.
This
will be
the
total
length
of Peter
Stein’s
Demons,
based on
Dostoevsky’s
novel.
Stein is
not new
to such
marathons,
and
stages a
Fitzcarraldo-style
challenge
to
portray
the
entirety
of
Dostoevsky’s
Demons,
which
the
Russian
novelist
saw in
the
illnesses,
deformities
and
follies
of a
generation
who had
lost its
faith to
become
victim
of
ideology.
An
indifferent,
disoriented
generation,
at the
same
time
nihilist
and full
of joy
of
living
and
enthusiasm
for a
new
world, a
new man.
And also
a
visionary
description
of the
consequences
of
modern
thought
–
materialist,
rational
and
nihilist,
questioning
everything.]]>
|
Drama & Ballet
|
11:00
|
Palazzetto dello
Sport Angelo
Costa
|
|
Saturday
26-06-2010
|
Evita
libretto
Tim
Rice
musica
Andrew
Lloyd
Webber
regia
Bob
Tomson
e
Bill
Kenwright
scene
Matthew
Wright
coreografie
Bill
Deamer
light
designer
Mark
Howett
sound
designer
Ben
Harrison
orchestrazione
David
Cullen
arrangiamenti
e
direzione
musicale
David
Steadman
Eva
Abigail
Jaye
Che
Mark
Powell
Peron
Mark
Heenehan
Mistress
Abigail
Matthews
left1Evita
undoubtedly
represents
one of
the
milestones
in the
history
of
musical
theatre,
and will
be
performed
in its
original
London
West End
version.
Evita –
one of
the
masterpieces
of Sir
Andrew
Lloyd
Webber,
the
author
of Jesus
Christ
Superstar,
The
Phantom
of the
Opera
and Cats
–
concentrates
on the
exciting
and
irresistible
career
of Maria
Eva
Duarte
de Perón
– the
charismatic
Argentinian
first-lady
whose
vicissitudes
moved
the
hearts
and
imagination
of the
world in
the
aftermath
of World
War II.
From her
humble
origins
to her
rise to
power as
Juan
Domingo
Perón’s
wife,
till her
untimely
death,
the
musical
portrays
both the
veneration
of her
people
and the
ironical,
disillusioned
point of
view of
an
exceptional
observer
and
narrator:
Ernesto
Guevara
de la
Serna,
better
known as
Che
Guevara.www.kenwright.com]]>
|
Special Events
|
21:00
|
Pala Credito di
Romagna, Forlì
|
|
Saturday
26-06-2010
|
La Gran
Partita
Solisti
dell’Orchestra
Giovanile
Luigi
Cherubini
direttore
e
oboe
Hans-Jörg
Schellenberger
oboe
Martin
Gabriel
Wolfgang
Amadeus
Mozart
Sonata
in
fa
maggiore
KV
374b
per
violino
e
pianoforte
nella
trascr.
per
due
oboi
di
Friedrich
Eugen
Thurner
Quartetto
KV
368b
in
fa
maggiore
per
oboe,
violino,
viola
e
violoncello
Serenata
per
12
strumenti
a
fiato
e
contrabbasso
KV
370a
“La
gran
partita”
left1The
manuscript
of
Serenade
KV370a
bears
the
subtitle
Gran
Partita,
but not
in
Mozart’s
hand.
The
composition
has a
more
complex
and
imposing
structure
than
what we
usually
call
“serenade”,
and was
scored
for a
peculiarly
rich
ensemble
of 2
oboes, 2
clarinets,
2
bassoons,
2 basset
horns, 4
horns
and a
double
bass.
Mozart
was
probably
working
under
the
influence
of the
orchestra
of
Mannheim:
we know
for sure
that
Quartet
KV368b
for oboe
and
string
trio was
composed
for the
Mannheim
oboist,
Friedrich
Ramm,
and that
one of
Ramm’s
apprentices,
F. E.
Thurner,
transcribed
for 2
oboes
the
Sonata
KV374b,
originally
scored
for
fortepiano
and
violin.
Hans-Jörg
Schellenberger
and
Martin
Gabriel,
two
great
European
orchestral
soloists,
will
resume
the
Mannheimer
great
tradition.]]>
|
Concerts
|
21:30
|
Chiostro
Biblioteca
Classense
|
|
|
|
Sunday
27-06-2010
|
I demòni
dal
romanzo
di
Fëdor
Michajlovicˇ
Dostoevskij
adattamento
e
regia
di
Peter
Stein
produzione
Tieffeteatro
Teatro
Milano
e
Wallenstein
Betriebs-GmbH
Berlino
in
collaborazione
con
Napoli
Teatro
Festival
left111
a.m to
11 p.m.
Nine
full
hours of
play
which
will
become
12 with
a couple
of meal
breaks.
This
will be
the
total
length
of Peter
Stein’s
Demons,
based on
Dostoevsky’s
novel.
Stein is
not new
to such
marathons,
and
stages a
Fitzcarraldo-style
challenge
to
portray
the
entirety
of
Dostoevsky’s
Demons,
which
the
Russian
novelist
saw in
the
illnesses,
deformities
and
follies
of a
generation
who had
lost its
faith to
become
victim
of
ideology.
An
indifferent,
disoriented
generation,
at the
same
time
nihilist
and full
of joy
of
living
and
enthusiasm
for a
new
world, a
new man.
And also
a
visionary
description
of the
consequences
of
modern
thought
–
materialist,
rational
and
nihilist,
questioning
everything.]]>
|
Drama & Ballet
|
11:00
|
Palazzetto dello
Sport Angelo
Costa
|
|
Sunday
27-06-2010
|
E la
luce
venne
nelle
tenebre
Missa
“O
magnum
Mysterium”
di
G.P.
da
Palestrina,
musiche
di
Andrea
Gabrieli,
Francisco
Guerrero,
G.M.
Trabaci,
Sebastian
de
Vivanco
Vox
Libera
direttore
Dario
Tabbia
left1If
our
title,
Ex
tenebris
ad lucem,
is
loaded
with
references
to the
liturgy
and the
ideas of
light as
a symbol
for
Christ
and
darkness
as a
symbol
for Evil
or the
world
without
Christ,
our path
intends
to
retrace
the
terms of
this
conflict
within
the
double
frame of
history
and
contemporaneity.
In the
dark
ages of
Popes
and
Antipopes,
the
light of
faith
has
never
ceased
to shine
in the
beautiful
Mass of
the code
of
Sainte-Anne
d’Apt.
The
great
creative
turmoil
of
Palestrina
and
Counter-Reformation
polyphonists
is the
expression
of a
recovered
light.
Two
events
will
celebrate
Light
coming
to the
world
through
its
intermediary,
Mary.
And
finally,
Orlando
di
Lasso’s
Missa
pro
defunctis
will
bring
relief
to the
victims
of
recent
earthquakes:
l’Aquila,
Haiti
and
Chile.]]>
|
Sunday Liturgies
|
11:30
|
Basilica di
Sant'Agata
Maggiore
|
|
Sunday
27-06-2010
|
Cloud
Gate
Dance
Theatre
of
Taiwan
Songs
Of
The
Wanderers
coreografia
Lin
Hwai-Min
musiche
canzoni
popolari
della
Georgia
cantate
dal
Coro
Rustavi
luci
Chang
Tsan-Tao
scene
Austin
Wang
costumi
Taurus
Wah
ideazione
attrezzeria
Szu
Chien-Hua,
Yang
Cheng-Yun
left1Taiwan’s
Cloud
Gate
Dance
Theatre
owes its
name to
a
Chinese
ritual
dance,
the
“Cloud
Gate”.
The
company’s
twenty-four
dancers
are
skilled
in Tai
Chi Tao
Yin,
meditation,
the
martial
arts,
Chinese
Opera,
modern
and
classical
dance
and
calligraphy.
The
result
is a
clever
mix of
dance
techniques
and
Eastern
and
Western
theatre.
The
company
was
founded
in 1973
by
choreographer
Lin Hwai-Min,
who, in
Songs of
the
Wanderers
(1994),
evokes
the
cheerful
memories
of
Buddha’s
trip to
Bodh
Gaya,
leading
the
audience
into a
great
purification
rite. It
is a
work on
asceticism,
on the
peaceful
flowing
of a
river,
on the
research
for
quietness,
while
the
stage is
modelled
into a
landscape
by tons
of
rice.]]>
|
Drama & Ballet
|
21:00
|
Palazzo Mauro de
André
|
|
Sunday
27-06-2010
|
Broadcast
& The
Focus
Group
in
collaborazione
con
Bronson
Produzioni
left1The
best-kept
secret
(in
Italy)
of the
planet’s
indie-tronic
avant-garde
comes
from
Birmingham.
Broadcast,
on the
stage
for more
than ten
years,
have
always
led an
extremely
personal
research
in the
field of
pop-rock
electronics,
winning
fans
like
Flying
Lotus
and
Stereolab.
Broadcast’s
production
strikes
its
roots
into
American
psychedelic
music
from the
‘60s,
inspiring
the
vocal
style of
the
group’s
leader,
Trish
Keenan,
and the
general
sound of
the
band,
whose
masterpiece
mini-album,
Broadcast
and The
Focus
Group
Investigate
Witch
Cults of
the
Radio
Age,
realised
with
Focus
Group
aka
their
long-time
friend
Julian
House,
was The
Wire’s
top
album of
2009.]]>
|
Concerts
|
21:30
|
Rocca
Brancaleone
|
|
|
|
Monday
28-06-2010
|
Teatro
Dubrovka
di Mosca,
26
ottobre
2002
"Cardo
rosso"
testo
e
drammaturgia
di
Maddalena
Mazzocut-Mis
regia
e
interpretazione
Chiara
Muti
musiche
di
Giovanni
Sollima
violoncelli
Giovanni
Sollima,
Monika
Leskovar
produzione
di
Ravenna
Festival
prima
nazionale
left1The
red
thistle,
growing
on dry,
arid
soil,
becomes
the
symbol
of a
modern
tragedy,
the
Dubrovka
theatre
crisis
in
Moscow,
23-26
October
2002.
Playwright
Maddalena
Mazzocut-Mis
evokes
those
tragic
days in
a choral
script
where
every
line
oozes
with
pain.
The
voices
of
Chechen
widows
mingle
with the
voices
of the
actresses
and
audience
who were
taken
hostages,
and with
those of
the
mothers
of the
soldiers
sent to
fight in
Chechnya.
It is a
woman’s
apologue
against
all
kinds of
war,
violence
and
abuse.
The play
will be
staged
on the
lawn of
the 1895
shooting
range
overlooking
the
Corsini
canal,
under
the big
dark
eagle
that
witnessed
the
training
of
several
Olympic
champions
– a new
restored
space is
returned
to the
city.]]>
|
Drama & Ballet
|
21:30
|
Vecchio tiro a
segno, Darsena
di Città
|
|
|
|
Tuesday
29-06-2010
|
Teatro
Dubrovka
di Mosca,
26
ottobre
2002
"Cardo
rosso"
testo
e
drammaturgia
di
Maddalena
Mazzocut-Mis
regia
e
interpretazione
Chiara
Muti
musiche
di
Giovanni
Sollima
violoncelli
Giovanni
Sollima,
Monika
Leskovar
produzione
di
Ravenna
Festival
prima
nazionale
left1The
red
thistle,
growing
on dry,
arid
soil,
becomes
the
symbol
of a
modern
tragedy,
the
Dubrovka
theatre
crisis
in
Moscow,
23-26
October
2002.
Playwright
Maddalena
Mazzocut-Mis
evokes
those
tragic
days in
a choral
script
where
every
line
oozes
with
pain.
The
voices
of
Chechen
widows
mingle
with the
voices
of the
actresses
and
audience
who were
taken
hostages,
and with
those of
the
mothers
of the
soldiers
sent to
fight in
Chechnya.
It is a
woman’s
apologue
against
all
kinds of
war,
violence
and
abuse.
The play
will be
staged
on the
lawn of
the 1895
shooting
range
overlooking
the
Corsini
canal,
under
the big
dark
eagle
that
witnessed
the
training
of
several
Olympic
champions
– a new
restored
space is
returned
to the
city.]]>
|
Drama & Ballet
|
21:30
|
Vecchio tiro a
segno, Darsena
di Città
|
|
|
|
Wednesday
30-06-2010
|
Murcof +
AntiVJ
left1Murcof’s
Mexican
origins
are
important
to
understand
the most
elusive
aspect
of his
production:
unlike
many
European
artists,
who are
ready to
apply a
tech
filter
to every
genre of
regional
music
they
come
across,
Murcof
manages
to
separate
his own
cultural
backgrounds
from his
experimental
approach.
This
electronic
pioneer,
accompanied
by
AntiVj’s
spectacular
visual
show and
technical
solutions,
uses
technology
to
create
his
fascinating,
spiritual
and
deeply
resonant
music
where
silence
seems to
be
entrusted
with a
crucial
mission.
After
such
uncommon
collaborations
as with
ensemble
Musiques
Nouvelles
in the
cathedrals
of
Bruges
and
Brussels,
the
international
fame of
this
star of
soundscape
is now
undisputed.]]>
|
Concerts
|
21:30
|
Rocca
Brancaleone
|
|
|
|
Thursday
01-07-2010
|
The
Philharmonics
da
Johann
Strauss
a
Chick
Corea
Tibor
Kovac,
Shkelzen
Doli
violini
Thilo
Fechner
viola
Stephan
Koncz
violoncello
Ödön
Racz
contrabbasso
Daniel
Ottensamer
clarinetto
Frantisek
Janoska
pianoforte
left1What
do these
young
and bold
musicians
have in
common?
First of
all,
they all
belong
to a
legendary
orchestra,
Wiener
Philharmoniker.
This
should
be
enough,
but
there is
more:
they all
want –
and are
bold
enough –
to pull
down the
rigid
fences
imposed
by the
rituals
of
classical
repertoires
and
surrender
to the
pleasure
of
lending
their
talents
to the
most
popular
and
fascinating
scores
in a
melting
pot of
styles:
klezmer,
gipsy
and jazz
music.
Besides,
the
major
composers
of the
latest
two
centuries
have
never
escaped
their
fascination
with
gipsy
colour
and
virtuosity,
or with
Afro-American
swing.
It is
this
tradition
of
freedom
that the
Philharmonics
celebrate:
Strauss
to Corea,
passing
through
Brahms
and
Ravel.]]>
|
Concerts
|
21:00
|
Teatro Alighieri
|
|
|
|
Friday
02-07-2010
|
Betulia
liberata
azione
sacra
in
due
parti
KV
118
libretto
di
Pietro
Metastasio
musica
di
Wolfgang
Amadeus
Mozart
(New
Mozart
Edition,
Bärenreiter
Kassel)
Riccardo
Muti
direttore
Marco
Gandini
regia
Italo
Grassi
scene
Gabriella
Pescucci
costumi
Marco
Filibeck
luci
Ozia
Michael
Spyres
Giuditta
Alisa
Kolosova
Amital
Anna
Kasyan
Achior
Nahuel
di
Pierro
Cabri
Barbara
Bargnesi
Carmi
Arianna
Vendittelli
Orchestra
Giovanile
Luigi
Cherubini
Vienna
Philharmonia
Choir
maestro
del
coro
Walter
Zeh
nuovo
allestimento
coproduzione
Salzburger
Festspiele,
Ravenna
Festival
left1When,
in 1734,
Pietro
Metastasio
wrote
Betulia
liberata
for the
Viennese
court,
the war
of the
Polish
succession
was
raging,
and the
army of
Charles
vi of
Habsburg
was
defeated
in
Italy.
This
called
for an
action
of
sacred
propaganda,
which
would
sing of
Judith’s
biblical
exploits
in
releasing
the city
of
Betulia
from the
Assyrian
threat,
with the
final
chorus,
“Praise
be to
God who
defeated
His
impious
enemies”.
Mozart
confronted
Betulia
liberata
in 1771,
at the
age of
15:
seventy-three-year-old
Metastasio
had just
completed
his
swan-song,
Ruggiero;
the son
of
Empress
Maria
Theresa
was
going to
marry
Duchess
d’Este,
and
young
Mozart
would
present
him with
a
serenade,
Ascanio
in Alba,
soon
after
tackling
the old
poet’s
oratory
in
Padua,
now in
peaceful
times.]]>
|
Opera
|
20:30
|
Teatro Alighieri
|
|
Friday
02-07-2010
|
Rokia
Traoré
La
più
ammaliante
delle
nuove
voci
dell’Africa
Mamah
Diabaté
ngoni
Eric
Lohrer
chitarra
Naba
Traoré
voce
Christophe
Minck
basso
Emiliano
Turi
batteria
left1The
music of
Rokia
Traoré
strikes
roots
into
Africa,
and more
specifically
into the
Mali of
her
origins,
but
greatly
differs
from the
music of
her more
traditional
fellow-countrymen
by
virtue
of the
very
different
traditions
and
cultures
she had
the
chance
of
meeting.
The
Malian
songwriter
follows
the
classic
Western
composition
method,
organizing
melodies
on her
guitar,
moving
them
around
and
matching
music
and
words
(in her
mother
tongue)
that
live in
mutual
symbiosis
with the
emotions
of the
musical
gesture.
See her
latest
album,
Tchamantché,
where
Traoré
lends
her soft
and
gentle
voice to
all
those
Africans
who
daily
tackle
all
basic
necessities:
drinkable
water,
food,
clothes,
shelter.]]>
|
Concerts
|
21:30
|
Darsena dei
Magazzini del
Sale, Cervia
|
|
|
|
Saturday
03-07-2010
|
Philharmonia
Orchestra
direttore
Yuri
Temirkanov
Pëtr
Il’icˇ
Cˇajkovskij
Sinfonia
n. 5
in
mi
minore,
op
64
Sinfonia
n. 6
in
si
minore,
op.
74
“Patetica”
left1Yuri
Temirkanov,
one of
the
great
interpreters
of the
Russian
tradition,
born in
Caucasus
and
educated
in
Petersburg,
proposes
a
programme
entirely
dedicated
to
Tchaikovsky.
If the
composer
himself
was not
satisfied
with his
Symphony
No. 5,
which he
considered
to be
“too
colourful,
massive,
insincere,
drawn
out and
on the
whole
very
unsympathetic”,
No. 6
Pathétique,
which
had
required
a
careful
orchestration,
was
instead
“the
most
sincere”
of his
compositions.
It
premiered
in 1893,
just a
few days
before
the
death of
its
author,
who thus
wrote
after
the
first
performance:
“Something
odd
happened
with
this
symphony!
It’s not
that it
displeased,
but it
produced
some
bewilderment.
As far
as I
myself
am
concerned
– then I
am more
proud of
it than
any of
my other
works”.]]>
|
Concerts
|
21:00
|
Palazzo Mauro de
André
|
|
Saturday
03-07-2010
|
A Funky
Celebration
con
Maceo
Parker
&
Band
Fred
Wesley
and
The
New
JBs
Maceo
Parker
voce,
sassofono,
flauto
Ron
Tooley
tromba
Dennis
Rollins
trombone
Will
Boulware
tastiere
Bruno
Speight
chitarra
Rodney
“Skeet”
Curtis
basso
Jamal
Thomas
batteria
Corey
Parker
voce
Neta
Hall
voce
Fred
Wesley
trombone
Bruce
Cox
percussioni
Dwayne
Dolphin
basso
Peter
Madsen
pianoforte
e
tastiere
Reggie
Ward
chitarra
Chris
Andrews
sassofono
Gary
Winters
tromba
left1If
funk
were a
person,
a
celebration
by
somebody
who has
dedicated
his
whole
life and
soul to
it would
be a
great
honour.
Maceo
Parker
and Fred
Wesley
have
been
proving
this
very
kind of
devotion
for
almost
fifty
years.
And if
their
starting
point
was
undoubtedly
James
Brown,
the
godfather
of funk
with
whom the
two can
boast
collaboration,
it is
also
true
that
Brown
himself
was in
turn
influenced
by
Wesley’s
trombone
and
Parker’s
baritone
saxophone,
when he
hollered
his
refrain
«Maceo!
Blow
your
horn!».
But
besides
“Sex
machine”
Brown,
these
names
are now
synonyms
of funk,
together
with
some
others
who made
the
history
of the
genre:
George
Clinton,
Bootsy
Collins
and Pee
Wee
Ellis
down to
Prince.]]>
|
Concerts
|
21:30
|
Darsena dei
Magazzini del
Sale, Cervia
|
|
|
|
Sunday
04-07-2010
|
La luce
riflessa
Missa
“Ecce
Ancilla
Domini”
di
Guillaume
Dufay,
mottetti
mariani
di
Heinrich
Isaac,
Josquin
Desprez
Cantica
Symphonia
Laura
Fabris
soprano,
Giuseppe
Maletto
tenore
e
direzione,
Fabio
Furnari
tenore,
Marco
Scavazza
baritono
left1If
our
title,
Ex
tenebris
ad lucem,
is
loaded
with
references
to the
liturgy
and the
ideas of
light as
a symbol
for
Christ
and
darkness
as a
symbol
for Evil
or the
world
without
Christ,
our path
intends
to
retrace
the
terms of
this
conflict
within
the
double
frame of
history
and
contemporaneity.
In the
dark
ages of
Popes
and
Antipopes,
the
light of
faith
has
never
ceased
to shine
in the
beautiful
Mass of
the code
of
Sainte-Anne
d’Apt.
The
great
creative
turmoil
of
Palestrina
and
Counter-Reformation
polyphonists
is the
expression
of a
recovered
light.
Two
events
will
celebrate
Light
coming
to the
world
through
its
intermediary,
Mary.
And
finally,
Orlando
di
Lasso’s
Missa
pro
defunctis
will
bring
relief
to the
victims
of
recent
earthquakes:
l’Aquila,
Haiti
and
Chile.]]>
|
Sunday Liturgies
|
10:30
|
Basilica di San
Vitale
|
|
Sunday
04-07-2010
|
Betulia
liberata
azione
sacra
in
due
parti
KV
118
libretto
di
Pietro
Metastasio
musica
di
Wolfgang
Amadeus
Mozart
(New
Mozart
Edition,
Bärenreiter
Kassel)
Riccardo
Muti
direttore
Marco
Gandini
regia
Italo
Grassi
scene
Gabriella
Pescucci
costumi
Marco
Filibeck
luci
Ozia
Michael
Spyres
Giuditta
Alisa
Kolosova
Amital
Anna
Kasyan
Achior
Nahuel
di
Pierro
Cabri
Barbara
Bargnesi
Carmi
Arianna
Vendittelli
Orchestra
Giovanile
Luigi
Cherubini
Vienna
Philharmonia
Choir
maestro
del
coro
Walter
Zeh
nuovo
allestimento
coproduzione
Salzburger
Festspiele,
Ravenna
Festival
left1When,
in 1734,
Pietro
Metastasio
wrote
Betulia
liberata
for the
Viennese
court,
the war
of the
Polish
succession
was
raging,
and the
army of
Charles
vi of
Habsburg
was
defeated
in
Italy.
This
called
for an
action
of
sacred
propaganda,
which
would
sing of
Judith’s
biblical
exploits
in
releasing
the city
of
Betulia
from the
Assyrian
threat,
with the
final
chorus,
“Praise
be to
God who
defeated
His
impious
enemies”.
Mozart
confronted
Betulia
liberata
in 1771,
at the
age of
15:
seventy-three-year-old
Metastasio
had just
completed
his
swan-song,
Ruggiero;
the son
of
Empress
Maria
Theresa
was
going to
marry
Duchess
d’Este,
and
young
Mozart
would
present
him with
a
serenade,
Ascanio
in Alba,
soon
after
tackling
the old
poet’s
oratory
in
Padua,
now in
peaceful
times.]]>
|
Opera
|
20:30
|
Teatro Alighieri
|
|
Sunday
04-07-2010
|
Carlos
Acosta &
Guests
con
Carlos
Acosta
e i
Solisti
dell’English
National
Ballet
e
del
Ballet
Nacional
de
Cuba
coreografie
di
George
Balanchine,
Ben
Stevenson,
Ben
Van
Cauwenberg,
Georges
Garcia
musiche
di
Igor’
Stravinskij,
Sergej
Rachmaninov,
Edith
Piaf,
Jacques
Brel,
Jules
Massenet
left1He
started
dancing
on his
father’s
advice,
and has
never
stopped
since.
Cuban
Carlos
Acosta
has been
performing
all over
the
world as
a guest
dancer
since he
was 16.
He
started
his own
project,
“Carlos
Acosta &
Guests”,
in 2005,
with a
repertoire
including
existing
and
original
creations,
and
starring
étoiles
and
soloists
from
English
National
Ballet
and
Ballet
Nacional
de Cuba.
In 2010
he
proposes
a new
repertoire
including
“Apollo”,
where
the pas
de deux
of
Apollo
and
Terpsichore
is an
outstanding
example
of the
lucidity
and
modernity
Balanchine
brought
into the
world of
dance in
the xix
century,
and a
woman’s
solo on
Piaf’s
famous
song,
“Je ne
regrette
rien”.]]>
|
Drama & Ballet
|
21:00
|
Palazzo Mauro de
André
|
|
|
|
Monday
05-07-2010
|
Betulia
liberata
Oratorio
per
4
voci,
coro
e
strumenti
libretto
di
Pietro
Metastasio
musica
di
Niccolò
Jommelli
(Ut
Orpheus
Edizioni,
Bologna)
Riccardo
Muti
direttore
Giuditta
Laura
Polverelli
Ozia
Terry
Wey
Carmi
Dimitri
Korchak
Achior
Vito
Priante
Orchestra
Giovanile
Luigi
Cherubini
Vienna
Philharmonia
Choir
maestro
del
coro
Walter
Zeh
left1In
1743
Niccolò
Jommelli
had been
on the
scene
for six
years,
and was
in
Padua,
setting
to music
Metastasio’s
Demofoonte
for the
first
time:
this
libretto
would
accompany
him for
the rest
of his
life,
and 3
more
settings
would
follow
the
first
one. A
year
earlier,
in
Venice,
he had
confronted
his
first
oratorio
on
Metastasio’s
Isacco
figura
del
Redentore.
And
Metastasio
it was
once
again
when, in
1743, he
set to
music a
rather
young
and
fresh
Betulia
liberata
(written
in 1734,
the poem
had been
set to
music
only 3
times
before).
The
composer
was not
yet
thirty,
and his
love for
Metastasio
did not
pass
unnoticed
to the
eyes of
Johann
Adolf
Hasse,
who
recommended
him for
the
position
of
chapel
master
at the
Ospedale
degli
Incurabili
in
Venice,
some
time
around
1743.]]>
|
Concerts
|
21:00
|
Sant'Apollinare
in Classe
|
|
|
|
Tuesday
06-07-2010
|
Betulia
liberata
azione
sacra
in
due
parti
KV
118
libretto
di
Pietro
Metastasio
musica
di
Wolfgang
Amadeus
Mozart
(New
Mozart
Edition,
Bärenreiter
Kassel)
Riccardo
Muti
direttore
Marco
Gandini
regia
Italo
Grassi
scene
Gabriella
Pescucci
costumi
Marco
Filibeck
luci
Ozia
Michael
Spyres
Giuditta
Alisa
Kolosova
Amital
Anna
Kasyan
Achior
Nahuel
di
Pierro
Cabri
Barbara
Bargnesi
Carmi
Arianna
Vendittelli
Orchestra
Giovanile
Luigi
Cherubini
Vienna
Philharmonia
Choir
maestro
del
coro
Walter
Zeh
nuovo
allestimento
coproduzione
Salzburger
Festspiele,
Ravenna
Festival
left1When,
in 1734,
Pietro
Metastasio
wrote
Betulia
liberata
for the
Viennese
court,
the war
of the
Polish
succession
was
raging,
and the
army of
Charles
vi of
Habsburg
was
defeated
in
Italy.
This
called
for an
action
of
sacred
propaganda,
which
would
sing of
Judith’s
biblical
exploits
in
releasing
the city
of
Betulia
from the
Assyrian
threat,
with the
final
chorus,
“Praise
be to
God who
defeated
His
impious
enemies”.
Mozart
confronted
Betulia
liberata
in 1771,
at the
age of
15:
seventy-three-year-old
Metastasio
had just
completed
his
swan-song,
Ruggiero;
the son
of
Empress
Maria
Theresa
was
going to
marry
Duchess
d’Este,
and
young
Mozart
would
present
him with
a
serenade,
Ascanio
in Alba,
soon
after
tackling
the old
poet’s
oratory
in
Padua,
now in
peaceful
times.]]>
|
Opera
|
20:30
|
Teatro Alighieri
|
|
|
|
Wednesday
07-07-2010
|
Hamburg
Ballett
Hommage
aux
Ballets
Russes
coreografie
di
John
Neumeier
Vaslaw
musica
di
Johann
Sebastian
Bach
prima
italiana
Prélude
à
l'après-midi
d’un
faune
musica
di
Claude
Debussy
Le
Sacre
musica
di
Igor’
Stravinskij
left1Directed
by one
of the
leading
choreographers
of our
times,
John
Neumeier,
Hamburg
Ballett
proposes
a great
triptych,
entirely
dedicated
to
Vaslaw
Nijinsky
and
Ballets
Russes.
They
will
start
with an
Italian
première:
“Vaslaw”,
centred
on the
man and
artist
who
revolutionised
the
image of
a male
dancer,
promoting
a modern
conception
of
choreography.
The
“Prélude
à
l’après-midi
d’un
faune”
and “Le
Sacre”
will
follow,
celebrating
the
extraordinary
novelty
of
Diaghilev’s
Ballets
Russes
in Paris
and
Europe
in a
tribute
for the
centennial
of the
most
influential
dance
company
of the
xx
century,
with the
innovative
force of
the
sublime
musical
inventions
of such
absolute
geniuses
as
Debussy
and
Stravinsky.]]>
|
Drama & Ballet
|
21:00
|
Palazzo Mauro de
André
|
|
|
|
Thursday
08-07-2010
|
E' zriz
Dedicato
a
Tonino
Guerra
nei
suoi
90
anni
con
Daniela
Piccari
voce
Gianni
Perinelli
sax
Simone
Zanchini
fisarmonica
Dimitri
Sillato
pianoforte
Andrea
Alessi
basso
Stefano
Calvano
percussioni
e
gli
allievi
della
scuola
media
Damiano-Novello
coordinati
da
Annalisa
Gardella
allestimento
scenico
a
cura
del
Conservatorio
Bruno
Maderna
di
Cesena
e
dell’Accademia
di
Belle
Arti
di
Bologna
left1Il
ciliegio.Un
uomo si
era
chiuso
in
casaperché
non gli
piaceva
il
mondocon
la gente
che non
credevapiù
a
niente.Quando
si è
stancato
di
starevicino
a una
candela
accesache
gli
faceva
lumedentro
la notte
di
quelle
camere,ha
aperto
una
finestrae
gli è
scoppiato
davanti
agli
occhiun
ciliegio
in fiore
che
eracome
una
nuvola
bianca
di
bellezza;e
lui si è
messo a
piangere
dalla
contentezzaed
è
scappato
fuori di
casaper
abbracciare
la gente
e gli
animali.]]>
|
Special Events
|
21:30
|
Rocca
Brancaleone
|
|
|
|
Friday
09-07-2010
|
Notturno
Non
solo
Chopin
Domenico
Nordio
violino
Andrea
Bacchetti
pianoforte
musiche
di
Fryderyk
Chopin,
F.
Chopin-N.
Milstein,
Aaron
Copland,
G.
Tartini-F.
Kreisler,
F.
Mendelssohn-J.
Heifetz,
Eugène
Ysaye,
Al’fred
Schnittke,
Karol
Szymanowski
left1“It
was
usually
towards
midnight
that he
gave
himself
up with
the
greatest
abandon,
when the
big
butterflies
of the
salon
had left
[…] then
he
became a
poet,
and sang
the
Ossianic
loves of
the
heroes
of his
dreams.”
Thus
Berlioz
remembers
Chopin’s
Parisian
society
gatherings,
his
romantic
complying
with the
mystery
of night
as the
revealer
of most
intimate
truths.
In his
Nocturnes,
in the
unspeakable
suggestion
of
melody,
regret
and
gentleness,
sadness
and
passion
gather:
in their
seeming
simplicity,
these
brief
meditations
have
conquered
generations
of young
maidens.
But
Chopin
also
left an
indelible
memory
for many
a
composer
who
would
also be
inspired
by the
nocturnal
element:
Nordio
and
Bacchetti
will
follow
in this
wake,
touching
on
Copland's
blues
and
Schnittke’s
ironic
desecration.]]>
|
Concerts
|
21:30
|
Chiostro
Biblioteca
Classense
|
|
Friday
09-07-2010
|
La
caduta
della
casa
degli
Usher
(“La
chute
de
la
maison
Usher”,
regia
Jean
Epstein,
1928)
musicato
dal
vivo
dai
Massimo
Volume
left1What
has a
forgotten
film
masterpiece
of the
‘20s got
to do
with the
most
important
Italian
indie
rock
band? As
Blake
would
have it,
there is
a
“fearful
symmetry”:
after
the cool
‘90s,
with
wonderful
albums
like
Stanze
and
Lungo i
bordi,
Massimo
Volume
broke up
in 2002
leaving
a gap
that
could
not be
filled.
But
something
unexpected
happened
six
years
later,
when the
group
agreed
to write
new
music
for a
1928
silent
film
based on
a tale
by E. A.
Poe, The
Fall of
the
House of
Usher,
directed
by Jean
Epstein
and
written
by young
Luis
Buñuel,
who
would
soon
become a
great
master
of
surrealist
cinema.
On the
film’s
fantastic
and
horror
images,
the
sound of
Massimo
Volume
paints
the
future
scenery
of a
reality
transfigured
by
dream.]]>
|
Concerts
|
21:30
|
Rocca
Brancaleone
|
|
|
|
Saturday
10-07-2010
|
Rumore
di acque
di
Marco
Martinelli
ideazione
Marco
Martinelli,
Ermanna
Montanari
regia
Marco
Martinelli
in
scena
Alessandro
Renda
musiche
originali
eseguite
dal
vivo
Fratelli
Mancuso
spazio
luci,
costumi
Ermanna
Montanari,
Enrico
Isola
coproduzione
Ravenna
Festival,
Ravenna
Teatro
-
Teatro
delle
Albe,
“Circuito
del
Mito”
-
Assessorato
al
Turismo
della
Regione
Siciliana
left1Rumore
di acque
is a new
project,
a black
humour
monologue
by
Ravenna-born
playwright
Marco
Martinelli.
A
mysterious
small
island
lost in
that
portion
of
Mediterranean
between
Europe
and
Africa
that has
been the
scene of
a
devastating
tragedy
for 15
years –
on this
volcanic,
bubbling
strip of
land,
adrift
like a
raft,
only one
man
lives, a
General
with
demonic
features
and
sparkling
eyes. In
agreement
with an
equally
mysterious
Ministry
of Hell,
he
practices
a
“policy
of
acceptance”:
the
small
island
is
haunted
by the
invisible
ghosts
of the
dead,
the lost
at sea,
the
outcasts.
The
General
welcomes
and
stows
them in
his
island-raft,
each of
them is
a
“number”:
lives
and
deaths
are but
mere
statistics.
The
General’s
rigmarole
resounds
of the
voices
of those
invisible
characters.]]>
|
Drama & Ballet
|
21:00
|
Teatro Rasi
|
|
Saturday
10-07-2010
|
Dansgroep
Amsterdam
six
coreografia
di
Itzik
Galili
musica
di
Steve
Reich
SUB
coreografia
di
Itzik
Galili
musica
di
Michael
Gordon
Pulse
coreografia
di
Krisztina
de
Châtel,
Massimo
Molinari
musica
di
György
Ligeti
left1Born
from the
encounter
of
Krisztina
De
Châtel
and
Itzik
Galili
and
their
ultra-dynamic,
energetic
visions,
Dansgroep
Amsterdam
has
already
imposed
itself
as one
of the
leading
companies
on the
international
scene.
Pulse is
pure De
Châtel,
something
one
could
ever
tire of
looking
at: on
the
music of
Gyorgy
Ligeti,
the
choreography
shows
strict
lines
and
whirling
movements
but also
passionate
solos
where
the
individual
breaks
out of
the
collective.
The
choreography
of six,
on the
notes of
Steve
Reich,
sees the
dancers
move
incessantly,
playing
with
form and
space
while
the
stage is
broken
up into
ever-changing
smaller
segments.
After
this
work on
perspective,
SUB is a
study
questioning
the role
of
perception
in dance
performance,
on a
score by
Michael
Gordon.]]>
|
Drama & Ballet
|
21:00
|
Teatro Alighieri
|
|
|
|
Sunday
11-07-2010
|
Lux
Perpetua
in
memoria
delle
vittime
del
terremoto
Missa
pro
defunctis
a 4
voci
miste
di
Orlando
di
Lasso
Coro
Polifonico
e
Schola
Gregoriana
Paer
direttore
Ugo
Rolli
left1If
our
title,
Ex
tenebris
ad lucem,
is
loaded
with
references
to the
liturgy
and the
ideas of
light as
a symbol
for
Christ
and
darkness
as a
symbol
for Evil
or the
world
without
Christ,
our path
intends
to
retrace
the
terms of
this
conflict
within
the
double
frame of
history
and
contemporaneity.
In the
dark
ages of
Popes
and
Antipopes,
the
light of
faith
has
never
ceased
to shine
in the
beautiful
Mass of
the code
of
Sainte-Anne
d’Apt.
The
great
creative
turmoil
of
Palestrina
and
Counter-Reformation
polyphonists
is the
expression
of a
recovered
light.
Two
events
will
celebrate
Light
coming
to the
world
through
its
intermediary,
Mary.
And
finally,
Orlando
di
Lasso’s
Missa
pro
defunctis
will
bring
relief
to the
victims
of
recent
earthquakes:
l’Aquila,
Haiti
and
Chile.]]>
|
Sunday Liturgies
|
11:30
|
Basilica
Metropolitana
|
|
Sunday
11-07-2010
|
Rumore
di acque
di
Marco
Martinelli
ideazione
Marco
Martinelli,
Ermanna
Montanari
regia
Marco
Martinelli
in
scena
Alessandro
Renda
musiche
originali
eseguite
dal
vivo
Fratelli
Mancuso
spazio
luci,
costumi
Ermanna
Montanari,
Enrico
Isola
coproduzione
Ravenna
Festival,
Ravenna
Teatro
-
Teatro
delle
Albe,
“Circuito
del
Mito”
-
Assessorato
al
Turismo
della
Regione
Siciliana
left1Rumore
di acque
is a new
project,
a black
humour
monologue
by
Ravenna-born
playwright
Marco
Martinelli.
A
mysterious
small
island
lost in
that
portion
of
Mediterranean
between
Europe
and
Africa
that has
been the
scene of
a
devastating
tragedy
for 15
years –
on this
volcanic,
bubbling
strip of
land,
adrift
like a
raft,
only one
man
lives, a
General
with
demonic
features
and
sparkling
eyes. In
agreement
with an
equally
mysterious
Ministry
of Hell,
he
practices
a
“policy
of
acceptance”:
the
small
island
is
haunted
by the
invisible
ghosts
of the
dead,
the lost
at sea,
the
outcasts.
The
General
welcomes
and
stows
them in
his
island-raft,
each of
them is
a
“number”:
lives
and
deaths
are but
mere
statistics.
The
General’s
rigmarole
resounds
of the
voices
of those
invisible
characters.]]>
|
Drama & Ballet
|
19:00
|
Teatro Rasi
|
|
|
|
Monday
12-07-2010
|
Requiem
in do
minore
direttore
Riccardo
Muti
Orchestra
Giovanile
Luigi
Cherubini
Orchestra
Giovanile
Italiana
Musicisti
dell’Accademia
di
Musica
dell’Università
di
Lubiana
e
dell’Accademia
di
Musica
dell’Università
di
Zagabria
La
Stagione
Armonica
Cori
italiani,
sloveni
e
croati
coordinati
dall’Associazione
Corale
Goriziana
“C.A.
Seghizzi”
maestro
del
coro
Sergio
Balestracci
left1Eyewitnesses
swore
that,
when
Cherubini’s
Requiem
in C
minor
was
first
performed
in the
abbey of
St.
Denis,
on Jan
21st,
1817,
nobody
could
restrain
tears,
including
the
composer
and
conductor
in his
formal
black
suit.
The
Requiem
had been
commissioned
by Louis
xviii to
commemorate
his
wretched
brother,
Louis
xvi,
executed
more
than
twenty
years
earlier.
But
Cherubini
did more
than
commemorate
a dead
king: he
composed
a
powerfully
dramatic
mass
that
encompasses
the pain
and hope
of
humankind.
Cherubini,
a
“conservative
revolutionary”,
managed
to
combine
freedom
of
invention
with the
strictest
laws of
harmony
and
counterpoint
into a
Requiem
Beethoven
considered
a
superior
composition
to the
Requiem
of
Mozart.]]>
|
Concerts
|
21:00
|
Palazzo Mauro de
André
|
|
|
|
Tuesday
13-07-2010
|
Le Vie
dell'Amicizia
Luigi
Cherubini
Requiem
in
do
minore
Riccardo
Muti
direttore
Orchestra
Giovanile
Luigi
Cherubini
Orchestra
Giovanile
Italiana
Musicisti
dell’Accademia
di
Musica
dell’Università
di
Lubiana
e
dell’Accademia
di
Musica
dell’Università
di
Zagabria
La
Stagione
Armonica
Cori
italiani,
sloveni
e
croati
coordinati
dall’Associazione
Corale
Goriziana
“C.A.
Seghizzi”
maestro
del
coro
Sergio
Balestracci
in
collaborazione
con
North
Adriatic
Port
Association
Autorità
Portuale
di
Ravenna
Autorità
Portuale
di
Trieste
left1From
that
first
call,
which
carried
the
Ravenna
Festival
to
Sarajevo
on the
opposite
shores
of the
Adriatic
in ‘97,
the
message
of peace
and
brotherhood,
which
resounds
yearly
through
our
journeys
of
Friendship,
has
become
one of
its
indefeasible
moments.
This
year’s
journey
will
take us
to
Trieste,
a
frontier
city
with
many
languages
and
cultures
and a
boundless
past
where
bright
memories
of
literature
and
poetry
are
woven
into
tragic
reminiscences
from our
history
of the
darkest
times of
Europe.
On the
magnificent
gulf
shared
by the
three
nations
of
Italy,
Slovenia
and
Croatia,
now
willing
to join
in a
warm
embrace
and look
together
to a
brighter
future,
a
sumptuous
Requiem
will
resound,
by
Beethoven’s
most
beloved
composer.]]>
|
Concerts
|
21:00
|
Trieste
|
|
Tuesday
13-07-2010
|
Keith
Jarrett,
Gary
Peacock,
Jack De
Johnette
left1“Music
is like
a child
of
yours,
it's not
an
object.
And it’s
not
solid:
you
perform
it and
it
disappears.
My only
certainty
is that
I have
done my
best in
everything
I have
attempted”:
Keith
Jarrett
always
amazes,
even
when he
talks
about
himself.
The
great
American
pianist
is back
with his
legendary
Standard
Trio for
an event
where
the jazz
rate is
high. 14
years
after
the
extraordinary
concert
in the
park, we
will
enjoy
another
proof of
his
improvising
virtuosity;
we will
watch
him
blend
into his
piano as
if it
was an
extension
of his
body.
The
Standard
Trio saw
the
light in
1983,
when
Jarrett
asked
bassist
Gary
Peacock
and
drummer
Jack
DeJohnette
to
record
an album
of jazz
standard,
simply
titled
“Standards,
Volume
1”.
Success
was
immediate.www.keithjarret.itwww.jackdejohnette.com]]>
|
Concerts
|
21:00
|
Palazzo Mauro de
André
|
|
Home Page | Contact Us | Site Map
Independent Music Tours |
Music Cruises | Escorted Music Tours |
Escorted T Tours |
Independent Tours |
Spa Holidays |
European Sun Vacations |
Romantic Honeymoon & Anniversary Packages |
Archeology |
Religious Tours |
Cooking and Wine tours | Latin America

Toll-Free: 1.800.838.6860 Worldwide: 416.362.5000 Fax: 416.362.8024
E-mail: allegro@allegroholidays.com
For Our European
Cruise & Spa Vacations Visit
Blue Danube Holidays
All
Contents Copyright © Allegro Holidays 2000-2002
|